The Soundcraft Vi5000 is a standalone digital live mixing console with 24 faders, 8 assignable bus faders, 32 mono/stereo busses, an onboard MADI interface, a maximum of 128 inputs to mix, a 48 kHz sampling frequency, which can be upgraded to 96 kHz, and a pristine audio path specifically designed to meet the demands of professional live touring, install, and corporate AV applications.
The console’s intuitive workflow provides sound engineers with direct access to all functions, maximum information, and visibility at all times as well as a unique integration of touchscreens and encoders, eliminating complex and fatiguing mental mapping, and a compact operating surface with a perfectly optimized control density. FaderGlow illuminated faders display different colors according to function. A sweeping, black screen panel with four Vistonics II touch screen interfaces and sleek 3D graphics makes it possible for two engineers to use the console at the same time. Users also have the ability to store/recall snapshots and cues, and can control the console remotely from an iPad via the Soundcraft ViSi app.
Features
- For Live Touring, Install & Corporate AV
- 128 Inputs, 24 Faders + 8 Bus Faders
- 32 Mono/Stereo Busses
- 48 kHz Sampling, Upgradeable to 96 kHz
- Advanced DSP Processing
- Vistonics & FaderGlow Interfaces
- Optional MADI and Dante Connections
- Automixing for Corporate Events
- Follow Solo Fader Illumination
Specifications
| Frequency Response | Stagebox Mic Input to Line Output: 20 Hz to 20 kHz, +0/-1 dB |
| AES/EBU | AES/EBU In to AES/EBU Out: 20 Hz to 20 kHz, +0/-0.2 dB |
| THD & Noise | Stagebox Mic In (Min Gain) to Local Line Out (22 Hz to 22 kHz): 0.003% @ 1 kHz Stagebox Mic In (Max Gain) to Local Line Out (22 Hz to 22 kHz): 0.020% @ 1 kHz Local Line In to Line Out (22 Hz to 22 kHz): 0.003% @ 1 kHz Mic Input E.I.N (22 Hz to 22 kHz Bandwidth, Unweighted): <-126 dBu (150-Ohm Source) Residual Noise, Stagebox Line Output; No Inputs Routed, Mix Fader @ 0 dB: -91 dBu CMRR, Stagebox Mic Input: 80 dB @ 1 kHz |
| Input & Output | Mic Inputs: +28 dBu Max Line Inputs: +22 dBu Max Line Outputs: +22 dBu Max Nominal Operating Level: +4 dBu (-18 dBFS) |
| Impedance | Mic Inputs: 10 Kilohms All Other Analog Inputs: >10 Kilohms Line Outputs: <75 Ohms AES/EBU Outputs: 110 Ohms |
| Oscillator | 20 Hz to 20 kHz, Pink/White Noise, Variable Level |
| CMRR | Stagebox Mic Input: 80 dB @ 1 kHz |
| Sampling Frequency | 48 kHz or 96 kHz |
| Latency | Stagebox Mic Input to Local Line Output: <2 ms @ 48 kHz, <1 ms @ 96 kHz |
| Internal DSP Resolution | 40-Bit Floating Point |
| Internal Clock Precision | <±50 ppm |
| Clock Jitter | Internal Clock Jitter: <±5 ns |
| External Sync | BNC Wordclock |
| Equalization | HF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 or Shelving Hi-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 Lo-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 LF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 or Shelving |
| Metering | Internal 20-Segment LED Bargraphs 9-Segment Gain-Reduction Meters for All Inputs and Outputs Peak Hold Variable from 0 to 2 s |
| Mains Voltage | 90 to 264 VAC, 47 to 63 Hz, Auto-Ranging |
| Power Consumption | 300 W |
| Operating Temperature | 32 to 113°F / 0 to 45°C |
| Relative Humidity | 0 to 90%, Non-Condensing, Ta = 104° F / 40° C |
| Storage Temperature | -4 to 140°F / -20 to 60°C |
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