The Soundcraft Vi3000 is a standalone digital live sound console with 36 faders, 48 high-quality mic preamplifiers, 24 mono/stereo busses, an onboard Dante interface, a maximum of 96 inputs to mix, a 48 kHz sampling frequency, and a pristine audio path specifically designed to meet the demands of professional live touring, install, and corporate AV applications.
The console’s intuitive workflow provides sound engineers with direct access to all functions, maximum information and visibility at all times, a unique integration of touch screens and encoders, eliminating complex and fatiguing mental mapping, and a compact operating surface with a perfectly optimized control density. FaderGlow illuminated faders display different colors according to function. A sweeping, black screen panel with four Vistonics II touch screen interfaces and sleek 3D graphics makes it possible for two engineers to use the console at the same time. Users also have the ability to store/recall snapshots and cues, and can control the console remotely from an iPad via the Soundcraft ViSi app.
Features
- For Live Touring, Install & Corporate AV
- 48 Onboard Mic Inputs, 36 Faders
- 48 kHz Sampling Frequency
- Dante Interface, MADI-Ready
- 24 Mono/Stereo Busses
Specifications
| Frequency Response | Stagebox Mic Input to Line Output: +0/-1 dB, 20 Hz to 20 kHz |
| AES/EBU | AES/EBU In to AES/EBU Out: +0/-0.2 dB, 20 Hz to 20 kHz
Input Sample Rate: 32 to 108 kHz (with SRC Enabled) Input & Output Impedance: 110 Ohms |
| THD | 22 Hz to 22 kHz |
| Mic Input | Stagebox Mic In (Min. Gain) to Local Line Out: < 0.003% at 1 kHz
Stagebox Mic In (Max. Gain) to Local Line Out: < 0.020% at 1 kHz Input & Output Levels: +28 dBu Max Input & Output Impedances: 27 Kilohms |
| Line Input | Local Line In to Line Out: < 0.003% at 1 kHz
Input & Output Levels: +22 dBu Max |
| Line Outputs | Input & Output Levels: +22 dBu Max
Input & Output Impedances: < 75 Ohms |
| Nominal Operating Level | Input & Output Levels: +4 dBu (-18 dBFS) |
| Analog Inputs | Input & Output Impedances: > 10 Kilohms |
| Mic Input Noise (E.I.N.) | < -126 dBu (150 Ohms Source) |
| Residual Noise | -91 dBu Stagebox Line Output, No Inputs Routed, Mix Fader at 0 dB |
| CMRR | 80 dB at 1 kHz |
| Sampling Frequency | 48 kHz |
| Latency | Stagebox Mic Input to Local Line Output: < 2 ms at 48 kHz |
| Internal DSP Resolution | 40-Bit Floating Point |
| Internal Clock Precision | < ±50 ppm |
| Clock Jitter | Internal Clock Jitter: < ±2 ns |
| External Sync | BNC Wordclock |
| Oscillator | 20 Hz to 20 kHz, Pink, White Noise, Variable Level
Stagebox HP Filter: 80 Hz Fixed, 12 dB per Octave Channel HP Filter: 20 Hz to 600 Hz, 18 dB per Octave Channel LP Filter: 1 kHz to 20 kHz, 18 dB per Octave |
| Equalization | HF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±8 dB, Q=0.3 to 8.7 or Shelving
Hi-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q=0.3 to 8.7 Lo-Mid EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q=0.3 to 8.7 LF EQ (Inputs and Bus Outputs): 20 Hz to 20 kHz, ±18 dB, Q=0.3 to 8.7 or Shelving |
| Metering | Internal 20-Segment LED Bargraphs
9-Segment Gain-Reduction Meters for All Inputs and Outputs Peak Hold Variable from 0 to 2 s |
| Mains Voltage | 90-264 VAC, 47/63 Hz, Auto-Ranging |
| Power Consumption | 300 W |
| Operating Temperature | 32 to 113°F / 0 to 45°C |
| Relative Humidity | 0 to 90%, Non-Condensing, Ta=104°F / 40°C |
| Storage Temperature | -4 to 140°F / -20 to 60°C |
| Dimensions | 13.8 x 56.9 x 31.6″ / 351 x 1446 x 803 mm |
| Weight | 119 lb / 54 kg |
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