Speakers

The Mackie HR824mk2 active studio monitors manage to improve on the widely-used originals. New features, such as a solid aluminum Zero Edge baffle and optimized waveguide help to give the HR824mk2 even more accurate, natural sound reproduction. Designed with high-definition audio in mind, this monitor provides exeptional clarity for surround 5.1 and 7.1 applications, and an Acoustic Space Control function allows it to be adapted to any room and still provide maximum accuracy. Low-frequency roll-off and high-frequency shelf functions are also included on the HR824mk2.

Mackie's MR524 delivers superior translation that you can trust. The MR524 features a 5" polypropylene woofer that yields responsive, dynamic lows and a 1" silk-dome tweeter that offers extreme clarity and transient response. These active studio monitors are equipped with Mackie's logarithmic waveguide system to minimize diffraction and reflections, resulting in enhanced stereo imaging and a large sweet spot. Precise acoustic alignment ensures a balanced frequency response. You can also tailor the MR524 to your room with the Acoustic Space switch and High Freq filter. Complete with an eye-catching all-wood cabinet, the MR524 looks as great as it sounds.

The Thump15BST delivers chest-thumping low end, thanks to Mackie's proprietary Dynamic Bass Response, along with wireless control and Bluetooth streaming. The built-in three-channel digital mixer features a pair of Vita+ preamps with Wide-Z technology, effortlessly handling mic, instrument, and line-level signals. It's easy to get great sound with the Thump15BST Ñ channels one and two supply you with a three-band EQ and variable highpass filters, and six application-specific speaker modes tailor the speaker to your situation. Complete with a durable road-ready enclosure and robust system protection, the Thump15BST is great for DJs and electronic musicians.

The KH 120 D studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 D represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD ), flexible acoustical controls, analog class-AB amplifiers, various input formats (analog and digital) and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.The KH 120 D is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.

The Neumann KH 120-A Studio Monitor combines a 1" titanium fabric dome tweeter powered by 50 W RMS (80 W peak) of analog amplification with a 5.25" long throw composite sandwich cone bass driver powered by 50 W RMS 80 W peak) analog amplification with dual front panel bass ports. The two speaker drivers are mounted in an elliptical mathematically modeled dispersion waveguide for smoother off-axis response and a more forgiving sound signature in different acoustical environments.The front panel is made from one piece without discontinuities to reduce diffraction with protective metal grills and the cabinet is made of magnetically shielded aluminum to reduce resonances, improve heat dissipation, and extend the operating lifetime of the unit. The monitor is suitable for professional tracking, mixing, and mastering applications in broadcast, project, and post-production studios.The system delivers a free field frequency response of 52 to 21,000 Hz with 4-position bass, low-mid, and treble acoustical controls for tailoring the response to different rooms and an input gain control from 0 to -15 dB. The front panel Neumann logo functions as an LED indicator for power and clip/limiting but can also be dimmed for light applications and for use when placed behind screens. A variety of wall, ceiling, truss, subwoofer, stand, and surface mounting options are available through a range of accessories (sold separately).

The KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections – for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings.The KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version. 

The KH 420 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (330 W and two times 140 W). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™) waveguide is engineered for optimum precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The dispersion of the KH 420 is deliberately designed to be narrower, to guarantee reference sound at longer working distances.The KH 420 is designed for midfield applications and as main monitor in project, music, broadcast and post-production studios for recording, mixing and mastering. And in a multi-channel system, it can also be freely combined with all other Neumann studio monitors.