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The CAT5E-1M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features Neutrik etherCON NE8MC-1 connectors with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with Midas PRO and M Series and Klark Teknik products equipped with HyperMAC and copper snake interfaces, the CAT5E-1M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-1M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-1M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit/s and Gigabit networks.

The COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.

DL444 is a modular 8 channel analogue mic/line input and line level output card for MIDAS PRO Series control centres and modular I/O boxes, and features award-winning MIDAS microphone preamplifiers with switchable +48 V phantom power and servo-balanced electronic outputs with high current drive capability for long cable runs. Premium low latency 24 bit 96 kHz ADC and DAC converters are used to minimise distortion and noise artefacts, and DL444 features balanced inputs and outputs on 25 way D-type connectors, ideal for fixed installations where the input and output channel counts can be maximised. It also features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.

The DN4816-I is the perfect solution for connecting additional line inputs to your monitor or FOH console. It provides 16 analogue inputs to connect wireless receivers or other external audio players. The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.

The DN4816-O is the perfect solution for connecting additional line outputs to your monitor or FOH console. It provides 16 analog outputs (e.g., to connect wireless transmitters for in-ear monitoring). Additionally, it provides an Ultranet input, that can be used to forward Signals from an AIR mixer via StageConnect. The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.

The Midas DP48 system is the easy, affordable way to provide live or recording musicians/vocalists what they really want – their very own custom-tailored monitor mix. DP48 Personal Monitoring Mixers let each performer take control of their own monitor mixes, allowing the engineer to concentrate on providing the audience the best possible listening experience. But to get the most out of your DP48 mixer’s capabilities, it needs to be located where they can do the most good – within arm’s reach of the artist. That is where the DP48MB comes in, allowing your DP48 Personal Monitor Mixer to be mounted on mic or music stands, drum hardware, or any other place your imagination leads you. The DP48MB even provides dual headphone hangers and an integrated cable guide to keep everything needed at the ready.

The FIBRE-150M ruggedised multimode optical fibre cable provides a bidirectional data link in a single 150 metre cable and features Neutrik opticalCON DUO connectors for high reliability, especially desirable in concert touring and festival applications where the optical connection needs to be protected against the ingress of dirt and dust. When used in conjunction with MIDAS and KLARK TEKNIK products equipped with optical snake interfaces, the FIBRE-150M cable can transmit 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate.

Midas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit / 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.

The LEGEND L10 500 Series Rackmount Chassis lets you mix and match a wide range of audio processing modules to build the ideal signal chain for any application. With space for up to 10 single-width modules, advanced audio routing for simplified cabling, and a robust auto-ranging universal switch-mode power supply, you can take your favourite modules anywhere in the world with complete confidence. Designed to accommodate all 500 series-compatible modules and plug-in cards, the L10 is the perfect companion for your MICROPHONE PREAMPLIFIER 502, COMPRESSOR LIMITER 522, PARAMETRIC EQUALISER 512, and the many other modules currently under development – as well as those from 3rd party vendors.

The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q.

The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.

Combining 16 award-winning Midas Pro microphone preamplifiers, four amazing DSP engines, extensive control options, and a full 18-channel audio interface, the Midas MR18 isn't just a killer digital mixer for live sound, it's also an amazing addition to your recording studio. It borrows heavily from the highly successful M series mixer line, including essential live sound tools such as four independent DSP effects engines, dynamics and EQ processing for each bus, and Ultranet connectivity for Behringer Powerplay P16 personal monitor system compatibility. What's more, the MR18 features auto mixing, making it one of the most user-friendly portable mixers out there. Best of all, it fits perfectly in your 19" equipment rack, so you can easily take all of this mixing power anywhere you go.

PRO FADER (550 mm) features a high precision 100 mm travel track with a 10 kΩ linear law, ideally suited to servo control applications. The integrated touch sensing track and conductive T-Bar allow both the implementation of automatic channel selection in software, as well as detection of when the fader is being held so that the motor is not driven. PRO FADER (550 mm) is designed to be mounted to console fascia panels via its two M3 threaded pillars which are on 120 mm mounting centres. A 550 mm long cable is provided which includes connections for the 10 kΩ resistive track, the touch sensing track and the motor.

PRO FADER (550 mm) features a high precision 100 mm travel track with a 10 kΩ linear law, ideally suited to servo control applications. The integrated touch sensing track and conductive T-Bar allow both the implementation of automatic channel selection in software, as well as detection of when the fader is being held so that the motor is not driven. PRO FADER (550 mm) is designed to be mounted to console fascia panels via its two M3 threaded pillars which are on 120 mm mounting centres. A 550 mm long cable is provided which includes connections for the 10 kΩ resistive track, the touch sensing track and the motor.