The Yamaha DM7 Professional Digital Audio Mixer is a next-generation, high-capacity mixing console designed for live sound reinforcement, broadcast, theater, corporate AV, and studio production environments. Built on Yamaha’s advanced DSP platform, the DM7 delivers powerful processing, flexible I/O, and intuitive workflow enhancements with its dual-screen interface and customizable control surface. Key features include premium 96 kHz audio quality, advanced channel processing, multiple mix and matrix buses, comprehensive Dante networking for seamless system integration, flexible scene management, and expanded automation tools that streamline complex productions. The DM7 offers Smart Assist functions, enhanced motorized faders, touchscreen control, deep plug-in style effects including RIVAGE-grade processing, and redundant power options for mission-critical reliability. Ideal applications range from touring concerts and worship venues to broadcast control rooms, hybrid events, theaters, performing arts centers, and professional recording setups, providing engineers with the precision, speed, and scalability needed for modern production workflows.
Features of Yamaha DM7
Core Mixing & Audio Performance
- High-Capacity Mixing: Handles up to 120 mono input channels with 48 mix buses, 12 matrix buses, and 2 stereo buses for complex mixing workflows.
- Premium Audio Quality: 96 kHz sampling rate for high-resolution sound with very low latency.
- Advanced Channel Processing: Channel strips include sophisticated EQ (inherited from Yamaha’s flagship RIVAGE PM series), FET limiter, and diode bridge compressor for precision tone shaping.
- Dan Dugan Auto-Mixing: Built-in automixing for up to 64 channels simplifies operation in spoken-word or multi-mic environments.
User Interface & Control
- Multi-Touch Displays: Dual 12.1″ multi-touch screens plus a 7″ utility screen give intuitive visual control over all mixing functions.
- Advanced Selected Channel View: Provides quick access to essential parameters for the selected channel, improving workflow speed.
- Customizable Controls: User-defined keys and flexible interface settings adapt to different workflows and operator preferences.
- Split Mode: Lets one console act as two independent mixers, which is useful for FOH vs. monitors or broadcast without a second board.
Connectivity & Expandability
- Dante Networking: Up to 144×144 channels of Dante I/O for scalable, high-quality network audio distribution.
- Local and Digital I/O: Includes 32 analog inputs / 16 outputs, AES/EBU digital I/O, and USB-C audio interface (18 in / 18 out) for recording, playback and conferencing integration.
- PY Slot Expansion: Support for PY cards (e.g., MADI, AES/EBU, MIDI/GPI) expands system compatibility.
Workflow Enhancements
- Assist Functions: Head amp and gain assist tools help reduce setup time and ensure optimal gain structure.
- Rich Effects & Plug-Ins: Includes Yamaha VCM plug-ins (e.g., Portico models), dynamic EQ, noise suppression, and high-quality FX.
- Software & Remote Control: Compatible with DM7 Editor, StageMix, MonitorMix, ProVisionaire Control/Touch, and OSC support for remote operation.
Reliability & Build
- Redundant Power Supply: Ensures continuous operation in mission-critical live or broadcast environments.
- Robust Hardware: Large motorized faders and quality build make it suitable for touring and professional daily use.
Optional Enhancements
- Yamaha DEK-DM7-TH Theatre Package – Adds theatrical mixing features (Actor Library, scene grids, etc.).
- Yamaha DEK-DM7-BR Broadcast License – Adds broadcast-focused capabilities (5.1, mix-minus, loudness meters).
Applications of Yamaha DM7
Live Sound & Concert Touring
- Designed for front-of-house (FOH) mixing at concerts, tours, festivals, and live music events thanks to its high channel count and robust processing.
- Easily integrates multiple inputs and outputs with Dante networking for complex live stage setups.
- Supports live streaming and recording workflows.
Performing Arts & Theatre
- Ideal for theaters and performing arts centers using its theatre-oriented control packages (e.g., Actor Library, DCA Scene Grid with the optional Theatre Package).
- Split Mode allows one console to handle FOH and monitor mixes or FOH plus broadcast simultaneously.
- Dante networking and expansion options support immersive sound and elaborate stage configurations.
Houses of Worship
- Excellent choice for houses of worship of all sizes with complex audio needs for speech, choir, bands, and distributed audio systems.
- Features like auto-mixing and intuitive GUI simplify operation for volunteers and engineers alike.
- Split Mode allows simultaneous FOH and monitors/streaming from a single console.
Broadcast & Streaming Studios
- With the optional Broadcast Package, supports broadcast-specific tools like Mix Minus, Audio Follow Video, 5.1 surround, and loudness metering.
- Suited for OB vans, TV studios, and live broadcast productions requiring reliable control and flexible routing.
- Its integrated USB interface and Dante network make it easy to connect to broadcast infrastructure.
Corporate AV & Event Production
- Used in corporate events, conferences, speech panels, and hybrid event setups featuring presentations, panel discussions, and multimedia playback.
- Compact models like the DM7 Compact are excellent for conference rooms or AV carts where footprint and flexibility matter.
- USB audio interface and remote control options support conferencing systems and DAW integration.
Studio & Recording Applications
- Offers Dante connectivity and DAW remote control, making the DM7 suitable for studio tracking and multitrack recording sessions.
- USB audio interface (18×18) supports direct recording/playback and integration with DAW workflows.
- Can be part of hybrid live/studio production setups, especially when capturing performances or rehearsals.
Specialised Uses & Hybrid Workflows
- Split Mode enables one console to act as two mixers (e.g., live plus broadcast or monitors plus streaming).
- Dante’s high channel count and flexible routing make it ideal for installations where audio must be distributed across multiple zones or remote locations.
- Compatibility with Yamaha control apps and OSC protocols allows remote mixing and wireless control—useful for broadcast or AV techs away from the console.
Specifications of Yamaha DM7
| DM7 | DM7 Compact | ||
|---|---|---|---|
| Outline | |||
| Mixing Capacity | Input Channels | 120 mono | 72 mono |
| Mix Buses | 48 | 48 | |
| Matrices | 12 (Input to Matrix supported) | 12 (Input to Matrix supported) | |
| Stereo Buses | 2 | 2 | |
| Mono Buses | 1 (Stereo B can be changed) | 1 (Stereo B can be changed) | |
| Cue Buses | 2 | 2 | |
| General specifications | |||
| I/O Connectors | Analog Input | 32 | 16 |
| Analog Output | 16 | 16 | |
| Dante | Primary / Secondary | Primary / Secondary | |
| AES/EBU Input | 2 (4ch) with SRC | 0 | |
| AES/EBU Output | 2 (4ch) with SRC | 1 (2ch) | |
| Expansion Slot (PY Slot) | 1 | 1 | |
| Word Clock I/O | In / Out | In / Out | |
| MIDI | No (MIDI protocol supported on USB to HOST) | No (MIDI protocol supported on USB to HOST) | |
| GPI | 5 in / 5 out | 5 in / 5 out | |
| USB TO DEVICE | 2 (File Save / Load, 2 Track Rec / Play) | 2 (File Save / Load, 2 Track Rec / Play) | |
| USB TO HOST | 1 (USB Type-C, USB2.0) | 1 (USB Type-C, USB2.0) | |
| Ethernet | Yes | Yes | |
| Meter Bridge | On screen | On screen | |
| Lamp | 0 (Bulit-in LED Strip Light) | 0 (Bulit-in LED Strip Light) | |
| Video Out | No | No | |
| TC In | Yes | Yes | |
| Phones | 1 | 1 | |
| AC | 2 (V-Lock Type) | 2 (V-Lock Type) | |
| External Redundant Power Supply | Built-in dual power supply | Built-in dual power supply | |
| Scene Memory | Number of Scenes | 500 | 500 |
| Recall Safe | Yes | Yes | |
| Focus Recall | Yes | Yes | |
| Fade Time | Yes | Yes | |
| Selective Load / Save | Yes | Yes | |
| Global Paste | Yes | Yes | |
| Event List | No | No | |
| Overlay | No | No | |
| Isolate | No | No | |
| Tactile Control Keys | No | No | |
| Input Channel Functions | Input A/B | Yes | Yes |
| Gain Compensation | Yes | Yes | |
| Digital Gain | Yes (-96 dB to +24 dB) | Yes (-96 dB to +24 dB) | |
| Attenuator | Yes (-96 dB to +24 dB) | Yes (-96 dB to +24 dB) | |
| HPF | 20 Hz to 2,000 Hz, -6/-12/-18/-24 dB/oct Selectable | 20 Hz to 2,000 Hz, -6/-12/-18/-24 dB/oct Selectable | |
| PEQ | 4 Band Full PEQ (4 algorithms, RTA overlay supported) | 4 Band Full PEQ (4 algorithms, RTA overlay supported) | |
| LPF | 20 Hz to 20 kHz, -6/-12 dB/oct | 20 Hz to 20 kHz, -6/-12 dB/oct | |
| Dynamics 1 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser | |
| Dynamics 2 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp | |
| Input Delay | Yes (0 ms to 1,000 ms) | Yes (0 ms to 1,000 ms) | |
| Pan | Center Nominal / LR Nominal | Center Nominal / LR Nominal | |
| DCA Group | 24 (Output DCA supported) | 24 (Output DCA supported) | |
| DCA Rollout | Yes | Yes | |
| MUTE Group | 12 | 12 | |
| Number of Inserts | 4 slots on 1 insert point | 4 slots on 1 insert point | |
| Dan Dugan Automixer | Yes (Up to 64ch) | Yes (Up to 64ch) | |
| Direct Out | Yes | Yes | |
| Output Channel Functions | PEQ | 8 Band Full PEQ | 8 Band Full PEQ |
| GEQ | Virtual Rack (EQ Rack) | Virtual Rack (EQ Rack) | |
| Dynamics 1 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp | |
| Output Channel Delay | Yes (0 ms to 1,000 ms) | Yes (0 ms to 1,000 ms) | |
| MUTE Group | 12 | 12 | |
| Number of Inserts | 4 slots on 1 insert point | 4 slots on 1 insert point | |
| Premium Rack | Number of DSP Resources | 64 | 64 |
| Mountable Plug-ins | RND Portico5033 / RND Portico5043 / Portico 5045 / U76 / Opt-2A / Comp276 / Buss Comp 369 / MBC4 / DaNSe / EQ-1A / Equalizer601 / Dynamic EQ / Dynamic EQ4 / REV-X / OpenDeck / Analog Delay / Max100 / Vintage Phaser / Dual Phaser / HQ.Pitch | RND Portico5033 / RND Portico5043 / Portico 5045 / U76 / Opt-2A / Comp276 / Buss Comp 369 / MBC4 / DaNSe / EQ-1A / Equalizer601 / Dynamic EQ / Dynamic EQ4 / REV-X / OpenDeck / Analog Delay / Max100 / Vintage Phaser / Dual Phaser / HQ.Pitch | |
| Effect Rack | Number of DSP Resources | 16 | 16 |
| Number of Effect Types | 43 | 43 | |
| EQ Rack | Number of DSP Resources | 32 | 32 |
| Mountable Devices | 31BandGEQ / Flex15GEQ / 8Band PEQ (RTA overlay supported) | 31BandGEQ / Flex15GEQ / 8Band PEQ (RTA overlay supported) | |
| Dante | Number of I/O Channels | 144 in / 144 out | 144 in / 144 out |
| Number of I/O devices that can be discovered from the console | 127 *1 | 127 *1 | |
| Number of I/O devices that can be mounted | 24 | 24 | |
| Number of I/O devices with HA remote control | 24 | 24 | |
| Dante Patch from Console | Yes | Yes | |
| USB to Host | Number of Audio I/O Channels | 18 in / 18 out | 18 in / 18 out |
| USB MIDI | Yes | Yes | |
| Monitor | Solo Mode | Yes | Yes |
| Oscillator | Sine Wave 1ch / Sine Wave 2ch / Pink Noise / Burst Noise | Sine Wave 1ch / Sine Wave 2ch / Pink Noise / Burst Noise | |
| Other Functions | Port to Port | Yes | Yes |
| Timecode Reader/Display | Yes | Yes | |
| Timecode Chase | No | No | |
| GPI | Yes (5 in / 5 out) | Yes (5 in / 5 out) | |
| MIDI | Yes (USB MIDI) | Yes (USB MIDI) | |
| OSC Server | Yes | Yes | |
| DAW Remote | Yes | Yes | |
| Nuendo Live: Control Integration | Yes | Yes | |
| Virtual Soundcheck | Yes | Yes | |
| Wireless Mic Monitoring | Yes | Yes | |
| RTA | Yes | Yes | |
| Delay Compensation | Yes | Yes | |
| Output Port Delay | Yes (Up to 20 ports) | Yes (Up to 20 ports) | |
| Sub In | Yes | Yes | |
| User Levels | Yes | Yes | |
| Channel Link | Yes | Yes | |
| Temporary Channel Link | Yes | Yes | |
| Multi Language Channel Names | Yes | Yes | |
| Mix/Matrix to Input | Yes | Yes | |
| Split Mode | Yes | Yes | |
| Assist | Yes (HA / Naming / Fader) | Yes (HA / Naming / Fader) | |
| User Interface | Displays | 12.1” multi-touch x 2, 7” multi-touch x 1 | 12.1” multi-touch x 1, 7” multi-touch x 1 |
| Faders | 24 + 4 | 12 + 4 | |
| Channel / Screen Encoders | Yes | Yes | |
| Channel Name / Color Displays | No (on-screen) | No (on-screen) | |
| Custom Fader Banks | Yes | Yes | |
| Shift Keys | Yes | Yes | |
| User Defined Keys | Surface: 12 (6 keys x 4 banks), Utility Screen (On-screen): 12 (12 keys x 4 banks) | Surface: 6 (6 keys x 4 banks), Utility Screen (On-screen): 12 (12 keys x 4 banks) | |
| User Defined Knobs | Yes (by 4 encoders below the Utility screen) | Yes (by 4 encoders below the Utility screen) | |
| Touch and Turn Knobs | Yes | Yes | |
| Monitor Level Knobs | No | No | |
| Arm Rest | Yes | Yes | |
| Rack Mountable | No | Yes | |
| Software | Editor | DM7 Editor (Win/Mac) | DM7 Editor (Win/Mac) |
| StageMix | DM7 StageMix | DM7 StageMix | |
| MonitorMix | Yes | Yes | |
| Console File Converter | Yes | Yes | |
| ProVisionaire Control/Touch | Yes | Yes | |
| Software Package | Broadcast Package, Theatre Package | Broadcast Package, Theatre Package | |
| Dimensions | W | 793 mm (31.3″) | 468 mm (18.5″) |
| H | 324 mm (12.8″) *including the rubber feet | 324 mm (12.8″) *including the rubber feet | |
| D | 564 mm (22.2″) | 564 mm (22.2″) | |
| Net weight | 23.5 kg (51.8 lb) | 16.5 kg (36.4 lb) | |
| Included Accessories | Owner’s Manual, AC power cords, Dust cover, Cable hook (for USB TO HOST), Nuendo Live, VST Rack Elements | Owner’s Manual, AC power cords, Dust cover, Cable hook (for USB TO HOST), Nuendo Live, VST Rack Elements | |
| Accessories | – | RK1 | |







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