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The RME ADI-2 DAC FS is an ultra-fidelity digital-to-analog converter supporting PCM up to 768 kHz and native DSD256 playback. Featuring advanced SteadyClock FS technology, onboard DSP with parametric EQ, and powerful headphone outputs, it delivers pristine audio quality for audiophiles and professionals alike. USB Class Compliant and equipped with balanced XLR and RCA outputs, it’s ideal for studio, mastering, and high-end listening setups.
RME ADI-2 DAC FS Ultra-Fidelity DA Converter PCM/DSD 768 kHz Hi-Res Audio DAC with Headphone Amp & DSP
AED 5,893.00 inc VATAED 5,893.00 inc VAT Add to cartThe RME ADI-2 FS is a high-precision 2-channel AD/DA converter and USB audio interface, delivering pristine 192 kHz audio, ultra-low latency, and balanced analog I/O. Featuring RME’s SteadyClock FS technology, onboard DSP, and a powerful headphone amp, it's the perfect solution for mastering, recording, and critical listening.
RME ADI-2 FS High-Precision 2-Channel AD/DA Converter 192 kHz USB Audio Interface with Balanced I/O and DSP
AED 4,125.00 inc VATAED 4,125.00 inc VAT Add to cartThe RME ADI-2 Pro FS R Black Edition is a high-end 2-channel AD/DA converter and USB audio interface designed for professional audio applications. Supporting PCM up to 768 kHz and native DSD256, it features SteadyClock FS, advanced DSP with parametric EQ, and dual high-power headphone outputs—perfect for mastering, critical listening, and high-resolution playback.
RME ADI-2 Pro FS R Black Edition High-End 2-Channel AD/DA Converter & USB Audio Interface with DSP, PCM/DSD Support
AED 6,424.01 inc VATAED 6,424.01 inc VAT Add to cart- Out Of Stock
The RME ADI-2/4 Pro SE is a high-performance 2-channel AD and 4-channel DA converter with USB audio interface functionality. Supporting up to 768 kHz PCM and native DSD256, it features SteadyClock FS, advanced DSP processing, dual headphone outputs, and flexible balanced/unbalanced I/O — ideal for mastering, studio, and high-end listening applications.
RME ADI-2/4 Pro SE – High-Performance 2-AD / 4-DA 768 kHz Converter & USB Audio Interface with DSD, DSP & Balanced I/O
AED 12,747.00 inc VATAED 12,747.00 inc VAT Out Of Stock The RME ADI-6432 is a professional 64-channel bidirectional format converter that seamlessly bridges MADI and AES/EBU audio formats. Designed for high-end studio, broadcast, and live sound environments, it offers optical and coaxial MADI I/O, 32 AES I/Os via D-sub connectors, and advanced clocking and sync options, ensuring reliable, high-quality digital audio conversion.
RME ADI-6432 MADI/AES Format Converter
The RME ADI-6432R is a professional-grade bidirectional MADI/AES-3id format converter designed for demanding broadcast and live sound applications. It facilitates seamless conversion between MADI and AES-3id (coaxial AES/EBU) formats, supporting up to 64 channels at 24-bit/192 kHz. Equipped with dual redundant power supplies and BNC connectors, the ADI-6432R ensures reliable operation in critical environments. Its comprehensive connectivity includes optical and coaxial MADI I/O, 64 AES-3id channels via BNC, MIDI and RS-232 data transfer over MADI, and word clock synchronization. The unit features RME's SteadyClockâ„¢ technology for superior jitter reduction and clock regeneration, along with intuitive front panel status displays for real-time monitoring. Ideal for use as a digital multicore solution or as an AES-3id frontend for MADI interfaces, the ADI-6432R offers robust performance and flexibility for professional audio setups.
RME ADI-6432R – Bidirectional MADI/AES Format Converter
AED 17,350.00 inc VATAED 17,350.00 inc VAT Add to cartThe RME Digiface AES 14x16 Audio Interface is a compact, bus-powered USB 2.0 interface offering 14 inputs and 16 outputs with support for 24-bit/192 kHz digital audio. It features a comprehensive set of I/O options, including AES/EBU, S/PDIF, ADAT, and analog connections, making it versatile for various professional audio applications. The device also includes RME's TotalMix FX software for flexible routing and monitoring, and SteadyClock FS technology for high-quality clocking. Its standalone operation capability and built-in parametric EQ add to its flexibility in different setups.
RME Digiface AES 14×16 Audio Interface
The RME Digiface AVB is a high-performance 256-channel mobile audio interface that connects AVB networks to computers via USB 3.0. Compact and bus-powered, it supports up to 192 kHz sample rates and features TotalMix FX for flexible routing and monitoring—making it ideal for professional studio, broadcast, and live sound environments.
RME Digiface AVB 256-Channel Mobile AVB/USB Audio Interface
The RME Digiface Dante is a versatile 256-channel audio interface that facilitates seamless integration between Dante and MADI networks. It offers up to 24-bit/192 kHz digital audio resolution and features four Gigabit Ethernet ports for Dante connectivity, along with MADI I/O via BNC connectors. The device supports both USB 3.0 and USB 2.0 connections, providing flexible options for various setups. In standalone mode, it functions as a 64-channel Dante-to-MADI converter, making it ideal for complex audio routing and mixing applications.
RME Digiface Dante 256-Channel Dante to MADI Audio Interface with USB
The RME Digiface Ravenna is a versatile 256-channel USB audio interface designed for professional audio applications. It supports up to 24-bit/192 kHz audio resolution and features four Gigabit Ethernet ports for Ravenna/AES67 connectivity, along with two BNC connectors that can function as MADI I/O or word clock sync. The device offers both USB 3.0 and standalone operation, making it suitable for complex audio routing setups. It also includes RME's TotalMix FX software for advanced mixing and routing capabilities.
RME Digiface Ravenna 256-Channel USB Audio Interface
The RME DMC-842 is an advanced 8-channel AES42 interface and control device designed for professional digital microphones. It supports both Mode 1 and Mode 2 operation, allowing for flexible integration and control of digital microphones in various audio environments. The DMC-842 is housed in a 2U rackmount chassis and is ideal for applications requiring high-quality digital microphone integration and control. Its robust feature set ensures reliable performance in demanding audio environments.
RME DMC-842 – AES42 Interface and Control Device for Digital Microphones
AED 14,090.00 inc VATAED 14,090.00 inc VAT Add to cartThe RME DMC-842-M is a high-end 8-channel AES42 interface and control device for digital microphones, featuring full support for both Mode 1 and Mode 2 operation. Equipped with analog outputs, digital I/O, and the optional I64 MADI card, it offers seamless integration into complex studio or broadcast systems. With digital phantom power, per-channel sample rate conversion, and comprehensive remote control capabilities via MIDI and MADI, it ensures professional-grade audio quality and control in demanding production environments.
RME DMC-842-M – AES42 Interface and Control Device for Digital Microphones with MADI
AED 17,129.00 inc VATAED 17,129.00 inc VAT Add to cartThe RME DPS-2 is an ultra-low noise linear dual power supply featuring advanced µFilter and sensor technology. Designed to deliver clean, stable power for RME audio interfaces and pro audio gear, it ensures maximum fidelity and reliability for studio and hi-fi applications.
RME DPS-2 Linear Dual Audio Power Supply Ultra-Low Noise PSU with µFilter & Sensor Technology for Hi-Fi & Pro Audio Gear
AED 6,087.00 inc VATAED 6,087.00 inc VAT Add to cartThe RME HDSPe AES is a high-performance 32-channel AES/EBU PCI Express audio interface, offering 24-bit/192 kHz audio resolution. Designed for professional studios, it provides eight AES/EBU I/O channels via D-sub connectors, advanced clocking with SteadyClockâ„¢ technology, and ultra-low latency monitoring. Ideal for high-channel-count applications like broadcast and recording, it ensures reliable digital audio conversion and seamless integration into complex setups.
RME HDSPe AES 32-Channel AES/EBU PCI Express Card with 24 Bit/192 kHz
The RME HDSPe MADI is a high-performance PCI Express audio interface card designed for professional audio applications requiring extensive I/O capabilities. It offers up to 128 channels of 24-bit audio at sample rates up to 192 kHz, utilizing both optical and coaxial MADI connections. The card features real-time TotalMix FX software for flexible routing and monitoring, supports dual MIDI I/O, and includes a stereo analog output for monitoring. With its low-latency performance and robust clock synchronization, the HDSPe MADI is ideal for large-scale recording, broadcast, and live sound environments.
RME HDSPe MADI 128-Channel, 192 kHz, MADI PCI Express Card
- The RME HDSPe MADI FX is a high-performance PCI Express audio interface card designed for professional audio applications requiring extensive I/O capabilities. It offers up to 390 channels of 24-bit audio at sample rates up to 192 kHz, utilizing three MADI connections—two optical and one coaxial. The card features a modular Hammerfall Pro Audio Core, enabling ultra-low latency and efficient processing. It also includes TotalMix FX software for flexible routing and monitoring, supports Seamless Redundancy Operation for fail-safe performance, and provides comprehensive connectivity options, including AES/EBU I/O, MIDI I/O, and word clock synchronization.
RME HDSPe MADI FX 390-Channel, 192 kHz, Triple MADI PCI Express Card
- The RME HDSPe Opto-X is an optional expansion board for the HDSPe MADI FX Triple MADI Card, replacing the standard coaxial MADI I/O with an additional optical MADI I/O. It adds a third optical MADI port, along with Word Clock I/O and a D-sub connector for MIDI and AES I/O, offering expanded connectivity and seamless integration for high-end professional audio systems.
RME HDSPe Opto-X Extension Board for HDSPe MADI FX Triple MADI Card
The RME LNI-2 DC is a low noise, galvanically isolated DC filter delivering clean 12V/2A power with advanced µFilter technology. It eliminates hum and interference, ensuring pristine power supply for professional audio systems and high-fidelity gear.
RME LNI-2 DC Low Noise Isolating Filter 12V 2A DC Input & Output for Clean Power in Pro Audio Systems
AED 2,924.00 inc VATAED 2,924.00 inc VAT Add to cartThe RME M-16 AD is a high-performance 16-channel analog-to-digital converter designed for professional audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio quality with a dynamic range of 116 dBA and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features multiple digital output options, including one MADI I/O (optical and coaxial) and four ADAT outputs. Additionally, it includes an analog limiter, 16 LED level meters, and SteadyClockâ„¢ technology for precise clock synchronization. The M-16 AD is fully remote-controllable via MIDI and MIDI over MADI, making it ideal for studio, live sound, and broadcast environments.
RME M-16 AD – 16-Channel High-End Analog to MADI/ADAT Converter
The RME M-16 DA is a professional-grade 16-channel digital-to-analog converter designed for high-quality audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio performance with a dynamic range of 118 dBA and ultra-low total harmonic distortion (THD) of less than 0.00063%. The converter supports sample rates up to 192 kHz and features multiple digital input options, including one MADI I/O (optical and coaxial) and four ADAT inputs. Analog outputs are provided via 25-pin D-sub connectors, supporting line levels up to +24 dBu. The unit also includes 16 LED level meters, SteadyClockâ„¢ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. Its compact design and robust feature set make it ideal for studio, live sound, and broadcast environments requiring high-channel-count analog conversion.
RME M-16 DA – 16-Channel High-End MADI/ADAT to Analog Converter
The RME M-32 AD is a high-end 32-channel analog-to-digital converter designed for professional audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio performance with a dynamic range of 116 dBA and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features multiple digital output options, including one MADI I/O (optical and coaxial) and four ADAT outputs. Additionally, it includes an analog limiter, 32 LED level meters, SteadyClockâ„¢ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. The M-32 AD is ideal for studio, live sound, and broadcast environments requiring high-channel-count analog-to-digital conversion.
RME M-32 AD – 32-Channel High-End Analog to MADI/ADAT Converter
The RME M-32 AD Pro II AVB + MADI 32-Channel A/D Converter is a high-performance audio interface designed for professional studios, immersive audio installations, live sound systems, and industrial applications. It offers 32 channels of fully balanced analog-to-digital conversion with a dynamic range of 120 dB(A) and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features dual redundant AVB network ports, enabling up to 128 channels of audio over IP. Additionally, it includes coaxial and optical MADI I/O, MIDI I/O, word clock I/O, and USB 2.0 for remote control. The unit also boasts a 2" display with a rotary encoder for easy control, tricolor backlit channel indicators, and customizable magnetic channel labels. Housed in a 1U rackmount chassis with redundant power supplies, the M-32 AD Pro II AVB is ideal for applications requiring high-channel-count analog-to-digital conversion with advanced network audio processing capabilities.
RME M-32 AD Pro II AVB + MADI 32-Channel A/D Converter
The RME M-32 AD Pro II-D is a high-performance 32-channel analog-to-digital converter designed for professional audio applications. Housed in a 1U rackmount chassis, the M-32 AD Pro II-D is ideal for studios, immersive audio installations, live sound systems, and industrial applications requiring high-quality analog-to-digital conversion with advanced network audio processing capabilities.
RME M-32 AD Pro II-D Dante + MADI 32-Channel A/D Converter
The RME M-32 DA is a high-performance 32-channel digital-to-analog converter designed for professional audio applications. It features exceptional audio performance with a dynamic range of 118 dBA and ultra-low total harmonic distortion (THD) of less than 0.00063%. The converter supports sample rates up to 192 kHz and offers multiple digital input options, including one MADI I/O (optical and coaxial) and four ADAT inputs. Analog outputs are provided via 25-pin D-sub connectors and 1/4" TRS jacks, supporting line levels up to +24 dBu. The unit also includes 32 LED level meters, SteadyClockâ„¢ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. Its compact 2U rackmount design makes it ideal for studio, live sound, and broadcast environments requiring high-channel-count analog conversion.
RME M-32 DA – 32-Channel High-End MADI/ADAT to Analog Converter
The RME MADIface USB is a compact and versatile 128-channel USB 2.0 audio interface designed for mobile and desktop MADI applications. It offers two MADI I/O ports (optical and coaxial), supporting up to 64 channels of recording and playback. When both MADI I/Os are used simultaneously, it provides full 128-channel input and output access, all mixed and routed via RME's TotalMix software. The device is bus-powered, eliminating the need for an external power supply, and can operate in stand-alone mode as a bi-directional format converter and active repeater. Its robust design ensures reliable performance in various professional audio environments.
RME MADIface USB 128-Channel USB Interface for Mobile Computers
- Professional audio gear for every application, like the excellent Rode Broadcaster. It is a large-diaphragm condenser mic that is mounted to a clip so it can be boomed into a broadcast person with ease. The really interesting thing about it is the LED "on-air" indicator on top that lights up when the mic is hot.
Rode BROADCASTER Broadcast Microphone Precision 1″ broadcast cardioid end-address condenser microphone
AED 1,804.95 inc VATAED 1,804.95 inc VAT Add to cart - Out Of Stock
The RODE Interview PRO is a broadcast-grade wireless handheld condenser microphone designed for interviews, media, and content creation. It features a high-quality omnidirectional capsule, 32-bit float onboard recording, and GainAssist for automatic level control. Operates via Series IV 2.4GHz digital transmission with up to 200m range (line of sight). Includes internal rechargeable battery with up to 30 hours runtime, pop filter, USB-C charging, and mic clip. Compatible with Wireless PRO, Wireless ME, Wireless GO II, RODECaster Pro II, Duo, and Streamer X receivers.
RODE Interview PRO Wireless Handheld Condenser Microphone
AED 994.35 inc VATAED 994.35 inc VAT Out Of Stock - RODE's K2 represents an excellent value in a tube microphone, combining incredibly low noise, low distortion and high SPL with the type of fantastic lush sound you'd expect from a high-end tube microphone.
Rode K2 Studio Microphone Seamlessly variable dual 1″ condenser valve microphone
AED 3,075.45 inc VATAED 3,075.45 inc VAT Add to cart The RODE K2 is a premium large-diaphragm tube condenser microphone featuring a 1-inch gold-sputtered capsule and hand-selected twin-triode 6922 valve. Designed for high-end studio recording, it offers continuously variable polar patterns (omnidirectional, cardioid, figure-8) for maximum flexibility. Delivers ultra-low noise (10dBA), wide frequency response (20Hz–20kHz), and high SPL handling (162dB). Includes dedicated power supply, XLR output, and shock mount. Ideal for vocals, instruments, and broadcast applications.
RODE K2 Tube Condenser Microphone with Variable Patterns
AED 2,727.90 inc VATAED 2,727.90 inc VAT Add to cartThe RODE M5 Matched Pair includes two precision-matched small diaphragm condenser microphones. Designed for studio and live use, they offer detailed sound capture with low noise and tight cardioid pickup. Ideal for stereo recording of acoustic instruments, choirs, and ambient sources. Each mic features a compact metal body and comes with WS5 windshields and RM5 stand mounts. Powered via phantom power and compatible with standard XLR setups. A reliable choice for professional stereo applications.
RODE M5 Matched Pair – Pro Small Diaphragm Condenser Mics
AED 695.10 inc VATAED 695.10 inc VAT Add to cart- If you're looking for a pair of affordable small-diaphragm condenser microphones, take a look at the RODE M5 Matched Pair cardioid condenser microphones. These mics give you the kind of performance that will exceed what you'd expect from condensers at this price point. M5s are excellent mics for recording and sound reinforcement. They work great with guitars, percussion, strings, woodwinds, brass, and more. This matched pair is also great for stereo recording techniques.
Rode M5MP Studio Microphone Matched pair of compact 1/2″ cardioid condenser microphones.
AED 775.95 inc VATAED 775.95 inc VAT Add to cart The RODE NT1 5th Gen is a professional studio condenser microphone with ultra-low noise and high dynamic range. It features a 1-inch gold-sputtered capsule and cardioid pickup for detailed vocal and instrument recording. This model supports both XLR and USB-C output, offering flexible connectivity for analog and digital setups. Built with a rugged aluminum body and internal shock mounting, it minimizes handling noise. Ideal for vocals, acoustic instruments, and voice-over work. Includes pop filter, shock mount, and XLR/USB cables.
RODE NT1 5th Gen Studio Condenser Microphone – Black
AED 936.60 inc VATAED 936.60 inc VAT Add to cartThe RODE NT1 5th Gen in Silver is a studio-grade condenser microphone with ultra-low noise and wide dynamic range. It features a 1-inch gold-sputtered capsule and cardioid pattern for precise vocal and instrument capture. Dual output support includes XLR and USB-C for flexible analog and digital workflows. Built with a durable aluminum body and internal shock mounting to reduce handling noise. Ideal for vocals, acoustic instruments, and voice-over applications. Includes pop filter, shock mount, and connection cables.
RODE NT1 5th Gen Studio Condenser Microphone – Silver
AED 936.60 inc VATAED 936.60 inc VAT Add to cart- When you demand superior large-capsule performance for recording vocals and instruments, turn to the NT1000. The performance - and the price - of this mic will blow you away! Ideal for capturing vocal and instrumental performances, the NT1000 features a gold-plated membrane, ultra-low noise and true condenser operation, all at a fraction of the cost of similarly feature-laden microphones.
Rode NT1000 Studio Microphone Versatile 1″ cardioid condenser microphone
AED 1,384.95 inc VATAED 1,384.95 inc VAT Add to cart - The RODE NT1-A cardioid condenser microphone is one of the world's quietest microphones, and it comes complete with a ton of essential accessories! Its ultra-low self-noise means you'll effortlessly capture clean, clear audio. The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won't distort due to overload. This great mic comes with a shock mount, a pop screen, a dust cover, an XLR cable, and more. By providing ultra-quiet operation and being versatile enough to handle a wide variety of signals, the NT1-A is an affordable studio solution.
Rode NT1A Studio Microphone Incredibly quiet 1″ cardioid condenser microphone
AED 1,017.45 inc VATAED 1,017.45 inc VAT Add to cart - The NT1-A excelled in every application for which it was tested, and it handled high-SPL sources without a problem. With only 5dB of self-noise, the NT1-A, winner of the Electronic Musician 2004 Editors Choice Award, is the world's quietest studio condenser microphone. It provides the warmth, extended dynamic range, clarity, and high SPL capability previously only possible with the very best and most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch. The frequency response is very smooth all the way from 20Hz to 20kHz. Anyone seeking an affordable large-diaphragm condenser for their studio should not fail to listen to the versatile NT1-A. The NT1-A-MP is a matched pair of Rode NT1-A's.
Rode NT1AMP Studio Microphone Pair of acoustically matched NT1-A 1″ cardioid condenser microphones
AED 2,035.95 inc VATAED 2,035.95 inc VAT Add to cart - Out Of Stock
The RODE NT2-A is a multi-pattern large-diaphragm studio condenser microphone featuring a dual 1-inch gold-sputtered capsule with internal shock mounting. It offers switchable polar patterns (cardioid, omnidirectional, figure-8), a three-position pad (0dB, -5dB, -10dB), and high-pass filter (flat, 40Hz, 80Hz) for flexible recording control. Delivers ultra-low self-noise (7dBA), wide frequency response (20Hz–20kHz), and high SPL handling (147dB). Includes shock mount, detachable pop filter, and XLR cable. Ideal for vocals, instruments, and broadcast-grade production.
RODE NT2-A Versatile Condenser Microphone for Studio Use
AED 1,432.20 inc VATAED 1,432.20 inc VAT Out Of Stock The RODE NT2000 is a studio-grade large-diaphragm condenser microphone featuring a dual 1-inch gold-sputtered capsule and ultra-low-noise circuitry (7dBA). It offers continuously variable polar patterns (omnidirectional, cardioid, figure-8), a variable pad (0 to -10dB), and a variable high-pass filter (20Hz to 150Hz), all controlled directly on the mic body. Delivers wide frequency response (20Hz–20kHz), high SPL handling (147dB, up to 157dB with pad), and 200Ω output impedance. Includes shock mount and hard case. Ideal for vocals, instruments, and precision studio applications.
RODE NT2000 Pro Condenser Microphone for Vocals and Instruments
AED 2,001.30 inc VATAED 2,001.30 inc VAT Add to cart- Rode's NT2000 boasts fully variable control - a totally variable polar pattern, a totally variable highpass filter, and a totally variable pad, all located on the mic's body! In this way, Rode has given you the ability to totally customize your sound from taking to take, singer to singer, session to session with just one NT2000! If you've been looking for the one microphone from which to build your collection, you've found it in the NT2000!
Rode NT2000 Studio Microphone Seamlessly variable dual 1″ condenser microphone
AED 2,256.45 inc VATAED 2,256.45 inc VAT Add to cart - Stylish and modern, the nickel-body NT3 represents RODE's outstanding microphone technology. Built for studio, stage, and location work, the NT3 is made from only the finest components and delivers the sonic results demanded by engineers and musicians alike. A true condenser microphone, the NT3 can be powered via its internal battery or by external phantom power. Its low self-noise, high fidelity performance, and value pricing make it hard to beat.
Rode NT3 Studio Microphone Multi-powered 3/4″ cardioid condenser microphone
AED 1,017.45 inc VATAED 1,017.45 inc VAT Add to cart - The RODE NT4 is a striking microphone that solves the age-old problem of affordable stereo miking, eliminating the need for purchasing matched pairs of expensive mics to get professional results!
Rode NT4 Studio Microphone Fixed X/Y stereo 1/2″ condenser microphone with 3.5mm minijack and dual XLR connectivity
AED 2,256.45 inc VATAED 2,256.45 inc VAT Add to cart The RODE NT4 is a stereo condenser microphone featuring a matched pair of 1/2-inch cardioid capsules fixed in a 90-degree X/Y configuration. Designed for precise stereo imaging, it captures detailed ambient sound for studio and field recording. Offers dual power options via 9V battery or P48 phantom power, with stereo output via dual XLR and 3.5mm TRS cables. Frequency response: 20Hz–20kHz. Max SPL: 143dB. Includes mic clip, windscreen, and rugged carry case. Ideal for drum overheads, acoustic instruments, choir, and environmental sound design.
RODE NT4 X Y Stereo Condenser Mic for Accurate Recording
AED 2,007.60 inc VATAED 2,007.60 inc VAT Add to cartThe RODE NT5 is a precision small-diaphragm cardioid condenser microphone designed for studio and live applications. It features a 1/2-inch gold-sputtered capsule with externally polarized true condenser design, delivering detailed audio capture with low self-noise (16dBA) and wide frequency response (20Hz–20kHz). Ideal for acoustic instruments, drum overheads, and ambient recording. Requires 48V phantom power. Includes mic clip, windscreen, and carry case. Available as single unit or matched stereo pair.
RODE NT5 Compact Condenser Microphone for Studio and Stage
AED 775.95 inc VATAED 775.95 inc VAT Add to cart- Out Of Stock
The RODE NT5 Matched Pair includes two precision small diaphragm condenser microphones for detailed stereo recording. Each mic features a tight cardioid pattern and low self-noise, ideal for acoustic instruments, overheads, and ambient capture. Built with durable metal housings and powered via phantom power, they deliver consistent performance in studio and live setups. Includes mic clips and windshields for flexible placement and noise control. Compatible with standard XLR connections and professional audio gear.
RODE NT5 Matched Pair – Small Diaphragm Condenser Mics
AED 1,353.45 inc VATAED 1,353.45 inc VAT Out Of Stock - RODE microphones have earned a great reputation in the past several years for providing excellent studio-quality microphones at a price that's more accessible to many people. If you're looking for affordable small-diaphragm condenser microphones, take a look at a matched pair of RODE NT5s. These mics give you the kind of performance that far exceeds what you'd expect from condensers at this price point. NT5s are excellent mics for recording practically any instrument — guitar, flute, violin, saxophone, drums, you name it! As soon as you start recording with RODE NT5s, you'll understand why they've become popular, not only in project studios but in many pro studios as well.
Rode NT5 Studio Microphone Compact 1/2″ cardioid condenser microphone
AED 870.45 inc VATAED 870.45 inc VAT Add to cart - The Rode NT55 builds on the success of the NT5, providing an excellent mic for practically any recording application. The NT55 utilizes the 1/2" externally biased gold sputtered true condenser transducer used in the NT5. The NT55 is a state-of-the-art low noise balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 comes with 2 different condenser microphone heads to provide a variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning.
Rode NT55 Studio Microphone Compact 1/2″ cardioid and omni condenser microphone
AED 1,384.95 inc VATAED 1,384.95 inc VAT Add to cart - The Rode NT55 builds on the success of the NT5, providing an excellent mic for practically any recording application. The NT55 utilizes the 1/2" externally biased gold sputtered true condenser transducer used in the NT5. The NT55 is a state-of-the-art low noise balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 comes with 2 different condenser microphone heads to provide a variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning.
Rode NT55MP Studio Microphone Pair of acoustically matched NT55 1/2″ cardioid condenser microphones
AED 3,043.95 inc VATAED 3,043.95 inc VAT Add to cart - The new Rode NT6 is a small-diaphragm condenser microphone that's specifically designed for difficult mounting applications or discreet placement. The compact capsule of the NT6 is connected to the main part of the mic by a 3-meter Kevlar-reinforced cable. The NT6 runs on standard 48-volt phantom power. The mic has a fixed cardioid pattern, a frequency range of 40Hz-20kHz and a maximum SPL figure of 135dB.
Rode NT6 Studio Microphone Compact 1/2″ condenser microphone with 3m (10″) Kevlar® reinforced cable to detachable capsule head
AED 1,466.85 inc VATAED 1,466.85 inc VAT Add to cart
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