Professional Audio/Video

The MicroVerb™ 4 is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multieffects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb audio quality that you should expect from every Alesis processor.

The MidiVerb™ 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. The MidiVerb 4 offers 18 bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. Plus, its valuable Auto Level Sensing™ feature can instantly set the optimum input levels...a great time-saver. MidiVerb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. You can take advantage of the 256 powerful programs with 128 spaces for user-created effects. With its easy-to-use graphic interface, programming your own effects is a snap. And by using MidiVerb 4's MIDI controller routing and assignable footswitch input, you'll have complete creative control over every aspect of your sound.

The BLU-50 is a half-rack width processor that offers a fixed configuration of four inputs and four outputs, configurable signal processing, logic processing and BLU link. The device can be powered with the included 12VDC power supply but can accept 12-48VDC via a terminal block connector. The BLU-50 can also be powered with PoE+ via the Ethernet port, allowing the device to be powered, configured, controlled and monitored using a single Cat 5e cable.

The analog inputs of the BLU-50 provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication.

The BLU-50 features BLU link, a low latency, fault tolerant digital audio bus of 48 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 10km (6.2 miles) using single mode fiber.

The BLU-50 is configured, controlled and monitored from HiQnet Audio Architect™ or HiQnet London Architect™ and is compatible with other members of the Soundweb London family. Its 48 channel BLU link bus represents channels 1-48 of the larger 256 channel BLU link bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices. Up to 60 BLU link compatible devices can share channels on a single bus.

The BLU-120 is configurable through HiQnet™ Audio Architect. A rich palette of logic objects and a “drag and drop” method of configuration provide a simple and familiar design environment. This processor features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber optic media converters can be used to increase the distance between devices to over 40km. 

Four card slots facilitate many different device I/O configurations. Each slot can accommodate any of six available I/O cards, including the Analog Input Card, Analog Output Card, Digital Input Card, Digital Output Card, AEC Input Card, and Telephone Hybrid Card. Each card supports four channels.

Analog Input Cards provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Digital Input Cards and Digital Output Cards process AES/EBU and/or S/PDIF audio and offer a variety of clocking and syncing options. (Further information about the I/O cards can be found on dedicated datasheets)

The Soundweb London BLU-806 offers configurable I/O, configurable signal processing, Dante audio and a high bandwidth, fault tolerant digital audio bus.

The Soundweb London Acoustic Echo Cancellation (AEC) Input Cards are designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160 and BLU-120 devices. These AEC Input Cards enable Soundweb London devices to cancel acoustic echo arising when sound from a loudspeaker enters a microphone in the same room in a conference application.

Designed to offer superior system sonic performance and flexibility, the 1261/1261 deliver the highest quality tools available. Even the input and outputs connectors were chosen for their standard usage and reliability. The ZonePRO products offer Euroblock connectors for balanced signals and RCA connectors for interfacing with consumer equipment often used in commercial applications; there is also a simple analog input buss that allows inputs to be sent from one unit to the next for unit and job scalability. The 1261 provides every necessary processing tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated and specific functions such as selectable paging microphone processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the ZonePRO products is the Routing module that provides of course Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of processing designed for commercial applications like our patent-pending AutoWarmth® function that was co-developed with JBL to provide natural low frequency extension at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system optimization. With the ZonePRO® every tool is at your disposal to maximize the response of your system.

The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.

The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.

The ZonePRO 641m offers fixed I/O, pre-configured architecture, configurable insert processing and optional duplication of audio channels to another ZonePRO device via a link bus.

The 641m features a total of six inputs and four outputs. Inputs include four balanced mic/line switchable terminal block inputs and two mono-summed pairs of unbalanced RCA inputs. Hardware-controlled microphone gain allows adjustment of microphone gain per channel.

The 641m device has a pre-configured architecture with input processing, a central matrix and output processing. Two input insert positions and one output insert position allow channel-specific insert processing to be configured. AutoWarmth®, a psychoacoustic function that maintains full frequency bandwidth even when the signal level has dropped, is permanently available on each output zone.