Take the fast track to turning your creative ideas into content for the world to hear with the white Arturia MiniFuse 1, a portable 1x2 USB Type-C audio interface that combines great sound with operational simplicity and a robust software bundle. With its single low-noise mic / line / instrument preamp, the MiniFuse 1 helps singers, guitarists, podcasters, and online creators get clean, quality recordings. It also features a virtual loopback channel to enable easy capture of computer audio alongside the live input, such as a voiceover or guitar playthrough. Despite the MiniFuse 1's compact size, it provides plenty of connectivity. In addition to the XLR-1/4" combo input, there are 1/4" speaker and headphone outputs with individual volume controls, and a built-in USB 2.0 Type-A hub that's perfect for hooking up a keyboard controller. The bundled software titles—Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX, and more—deliver loads of interesting sounds and cool effects, plus a highly capable and popular music production DAW.

Take the fast track to turning your creative ideas into content for the world to hear with the black Arturia MiniFuse 2, a portable 2x2 USB Type-C audio/MIDI interface that combines great sound with operational simplicity and a robust software bundle. With its two low-noise mic / line / instrument preamps, the MiniFuse 2 helps singer-songwriters, musicians, podcasters, and online creators get clean, quality recordings. It also features a virtual loopback channel to enable easy capture of computer audio alongside the live input, such as a voiceover or guitar playthrough.

Built To Capture BrillianceFor artists, bands, and producers, Pro Tools | Carbon is a new breed of audio interface—built to capture brilliance. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools.Epic Performance - DSP and Native. The Best In Both WorldsWith the Hybrid Engine under its hood, Carbon maximizes Pro Tools performance, letting you say goodbye to distracting third-party apps. Because every AAX DSP plugin has a native counterpart, you can move seamlessly between worlds at the touch a button. Put a track in DSP Mode for recording, and Carbon accelerates real-time AAX DSP plugins, while your CPU plays back the rest of your mix. Bring the track back to native mode for mixing, and Pro Tools automatically takes care of the technical tasks for you.AAX. Architected To Go BeyondUnmatched dynamic range. 64-bit float double precision processing. When it comes to shaping and enhancing sounds, the AAX plugin architecture lets you take your music further. It’s the only plugin architecture with true hybrid capability. And it’s designed to deliver the same impeccable sound quality in both native and HDX DSP domains. That means you can disconnect Carbon and take your mix on the road or collaborate with others who don’t have the interface.HDX DSP Acceleration. Made To Remove BarriersWith a custom-designed FPGA and eight HDX DSPs at its core, Carbon is a powerhouse. The FPGA routes audio blazingly fast—one sample at a time—with near-zero latency, while the HDX DSPs handle real-time plugin processing, performing at an amazing 22.4 billion operations per second. So, no matter how big your session gets, or how many plugins you use in it, you can always record with sub-1 ms latency monitoring. And it frees up your CPU cores for virtual instruments and more creative mixing.

The Avid Pro Tools MTRX Studio is a 1U interface and monitor controller developed in partnership with DAD at NAMM 2020. The Pro Tools MTRX Studio delivers high-quality I/O, extensive routing possibilities, and premium monitoring all in one audio interface, enabling you to consolidate multiple devices in your signal chain. From recording and monitoring to routing audio across multiple rooms and devices, tuning speakers, creating monitor profiles, and folding down mixes, it’s the ideal centerpiece for professional music and audio post facilities of all sizes.

Building on KLARK TEKNIK’s storied legacy of highest-quality direct injection devices, the DI 10P PRO DI offers the same high headroom, dynamic response and sonic clarity you have come to expect. DI 10P is ideal for interfacing MP3, CD players, keyboard or drum submixers, and a variety of other stereo sources to mixing consoles. A passive device, the DI 10P does not require any form of external power to complete its mission. Equipped with a custom-built MIDAS transformer, fully adjustable independent level controls for the stereo input channels, DI 10P is the perfect stereo to mono XLR solution for professional audio and multimedia applications.

Whether you’re a keyboardist, drummer, or any other musician whose performance keeps them anchored in one spot, the PM1 was designed specifically for you. A convenient hardwired personal in-ear control center, the PM1’s belt pack puts monitor control right at your fingertips, plus it’s lightweight, ultra-easy to use – and it doesn’t require a power source!

The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming requirements associated with third-party control systems, while providing a familiar and low-cost dialing interface to the end user. The BLU-HIF features an RJ-22 jack for connection to the headset jack of a VoIP/digital phone, a balanced input (Tx) for sending near-side audio, and a balanced output (Rx) for receiving far-side audio. While the BLU-HIF provides substantial isolation of the Rx and Tx signals, near-side audio will still be heard on the Rx channel due to the presence of side-tone. As such, BSS Audio recommends always feeding the Rx channel to an AEC input, as opposed to a standard analog input. The AEC algorithm will remove the side-tone. The Tx channel connects to a standard analog output.