Amplifiers

The Laney IRT15H-2 15W tube guitar amp head delivers a single Ironheart channel that's flavored with 12AX7 (preamp) and EL84 (power amp) tubes. For when 15W is too much, there's also a 1W guitar input. Other features include high-quality digital reverb, an FX loop with variable level control and a DI output.

The IRT412 custom-designed straight guitar cabinet is constructed from rugged plywood and loaded with 4 Custom 12” HH drivers handling 320 watts. Laney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, 'The Band of Joy' with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage. Lyndon Laney sought to design and build amplifiers with key 'tonal' characteristics that were unheard of at the time. Formed in 1967 by Lyndon Laney, Laney Amplification is a West Midlands based guitar and musical instrument amplifier manufacturer who were closely involved with Tony Iommi of Black Sabbath in the birth of the ‘Heavy Metal’ music genre. Since 1967, Laney Amplification has gone on from strength to strength and is now a multinational.

Designed and engineered in the Black Country, Great Britain, the Ironheart IRT412 is a standard-sized, straight guitar cabinet loaded with 4 x 12” HH drivers designed to deliver punch and clarity when used with any amplifier.

Constructed from rugged plywood the IRT412 is finished with black metal corners, black textured front fret, black basket weave Tolex, steel castors and comfortable side mounted bar handles the IRT412 cabinet is designed to survive a life on the road for years to come.

Lionheart represents everything we've learned through forty years of Laney tube heritage, distilled into a single ampilfier range. Designed to deliver the ultimate tone of a tube being pushed hard - warm and expressive, at an output level which can be used in everyday environments.

This twin channel, all tube amplifier features 'Parallel single-ended' Class A output from 4x EL84 matched tubes, providing 20 watts of rich tube power.

The L20H also features gold plated PCB's and jack sockets. Sealed gold contact relays are used in all signal paths for minimum sound coloration, and the amp comes fitted with the renowned "Type 4" large spring line reverb for the classic guitar reverb sound.

Each L20H features a hand stamped 'build number' in the order they come off the Laney production line, and comes with a custom made 'Lionheart' dust cover.

The Lionheart L50H's BITE control tightens up the bottom end giving a clean and clear punchy sound, whilst the tone control works in a similar fashion to the Tone controls on your guitar except that it works uniquely on the other end of the amplification chain. Giving you the ability to control not only the overall top end response but also reduce the upper end harmonics on the output stage and preamplifier overdrive sounds.
The Dynamics control allows you to control the Lionhearts low frequency response dialling clockwise gives a more extended low-end response. Dialling the Dynamics control counterclockwise tightens up the low-end response.

The L50H rear panel features an FX loop with Bypass/Insert/Side Chain operation modes with a level control, the footswitch socket as well as housing the Preamp Out/Power amp in sockets along with the speaker connections for 8 & 16 Ohm cabinets.
Each Lionheart L50H features a hand stamped "build number" in the order they came of the production line. Designed and manufactured in the UK.

The L5T-112 is a 5 watt Single-Ended, Class 'A' tube combo loaded with a 12" Celestion G12H 70th Anniversary driver to give the ultimate boutique guitar tone. Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart.

The L5T-112 features a chrome twin channel pre amp with a Bright switch, shared 3-band EQ, global Tone and Studio-quality Digital Reverb. Constructed from Marine Grade Plywood with retro banding strip and leather strap handle, the L5T-112 looks as good as it sounds.

Designed and engineered with pride in Great Britain, The Lionheart L5T-112 is a 5 watt, Single-Ended, Class ‘A’ guitar combo loaded with a 1 × 12 Celestion G12H 70th Anniversary driver, all designed to give the ultimate guitar tone.

With less of a emphasis on preamp distortion, with the L5T-112 you can hear and feel the power tubes clipping to breakup, giving a much richer harmonic content and a larger dynamic range. With the L5T-112 you can really feel and hear the differences in tone based on your picking technique.

The LX35R features a twin channel preamp – giving aggressive extreme gain options plus a clean channel for softer moments. Featuring a 3 band EQ tone stack, gives you instant tone shaping options to suit the guitar and music style. Kick in the 'XTS' tone shaping switch for an instant scoop to the mid and a boost to key frequencies.

n-board reverb can be dialled in to add ambience to the tone plus an AUX input for jamming along and a headphone socket are great features for private practice or silent late-night sessions. For an expanded performance rig, the External Speaker socket can also be used to bypass the internal 10” driver and hook up to a larger cabinet (such as the LX412). Available in Black, Red and Camo.On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life.

If you have the Laney L20H, you won't want to compromise that great Class A tone by using any old cabinet. Instead, why not get the matching Laney LT212 cabinet. Featuring 2x 12" Celestion Heritage G12H Drivers and closed back construction, this cab gives thick, deep tones with growling bottom end power. This stylish and great sounding cab also features a folding tilt mechanism for optimum sound projection. Each LT212 features a hand stamped 'build number' in the order they come off the Laney production line, and comes with a custom made 'Lionheart' dust cover. At 19kg this cab will easily fit into your regular gigging rig.

The LV300 features a pre-amp valve – housing Tube Fusion Technology in its hybrid design. Giving you that legendary Valve Mojo to the pre-amp drive tones! Plus another benefit of a hybrid design is a lack of weight – any model in the LV range can be loaded in and out of a car boot or van without fear of injury but is as tough as it needs to be to withstand the rigours of gigging!

V is more to these amps than just being in the word LiVe – each drive channel features a V switch. The V switch gives you an instantly scooped tone. The nice thing is that there is one per channel – giving you flexibility to scoop the rhythm tone whilst leaving the solo tone unaffected. Next comes the VTS switch – this feature globally boosts certain bass and upper mid frequencies whilst cutting some of the lower mid.

Finally, the digital reverb section with individual controls for the clean and the drive channels, a really nice user-friendly feature.

The rear panel of the LV300 features everything you need – simple series effects loops an extension speaker socket and a footswitch socket. Each model in the LV range comes supplied with a sturdy metal FS3 custom three way footswitch!

The LV300 is geared towards live performance. Loud. Stage worthy and refreshingly user friendly. Finished in a tough black tolex with large protective corners the LV300 will look as good as it first did gig after gig.

The three-channel LV300H is a gig-ready head packed with features for live use. Guitarists know that tubes add warmth and character to most classic guitar sounds but tube amps can be heavy and more expensive. The LV300H preamplifier is therefore equipped with a real ECC83 tube to combine the practicality and portability of a solid-state amplifier with the benefits of tube tone. Each of the 2 Drive channels features a ‘V’ switch. This gives you an instantly scooped tone plus as there is one per channel it gives the flexibility to scoop the rhythm tone whilst leaving the solo tone unaffected. Next comes the VTS switch. On-board reverb provides ambiance to the amp tone and different reverb levels can be set to Clean and Drive sections.

The LX412 -a rugged, performance ready 4 x 12” cabinet designed for the LX range. The LX412 is capable of handling 200 watts, which makes it ideal for gigs The LX range of solid-state electric guitar amplifiers offers legendary Laney guitar tone and reliability from practice room to stage. Designed and engineered in Great Britain, the LX412 delivers 200 Watts of power and is equipped with 4×12” custom-designed drivers The LX412 is built to withstand the rigors of the road but it is not difficult to carry around using the side mounted easy grab handles. Finished in a heavy-duty granite tolex and with steel corners protectors, your LX412 cabinet will be gigging for years to come.

The NEXUS N115 cabinet is an ultra-light, high performance bass enclosure, loaded with neodymium drivers and finished in Laney's Tuffstuff coating, the NEXUS N115 has been designed to be used in conjunction with the NEXUS-SL and SLS bass head.

The N115 is loaded with a LaVoce neodymium 15” driver plus a La Voce 1" exit compression driver which is switchable to on/off and half power settings. Selected exclusively for the NEXUS range, these Italian-designed speaker components are truly outstanding for bass.

The lightweight, heavy duty, plywood cabinet is then finished in Laney's Tuffstuff: An incredibly tough, ultra-durable and resilient polyurethane coating designed to deal with the rigours of life on the road.

The NEXUS-SL was designed and conceived with the simple goal of making the best bass amplifier on the market. Hear it and believe! The nexus-sl’s power amplifier section combines the power and portability of cutting-edge class D Technology with the natural warmth, compression and dynamic range that only a tube can give: a high voltage ECC83 tube sits between the preamplifier and the 1000W RMS power section. The ergonomic front panel design allows great bass tone to be found easily. The bottom row of control knobs houses tone shaping, the top row houses bass-sympathetic digital effects: space (reverb or chorus) and interval (octaves or 5ths). Laney developed two unique functions to control the NEXUS-SL power stage. ‘Tilt’ is an instant 'EQ seesaw’ and ‘touch’ adjusts the feel of the output response.

While a lot of Class D amps are smaller and some even have a bit more power, none have the same feature set as this amplifier. On the front panel you not only have your standard 3 band EQ with parametric Mid sweep but also a 4 way shape control, tilt, touch, space, interval and focus controls that all give you an extra level of flexibility that very few Class D amps can offer.

With all the power and punch you would expect from a Laney cab but now without the weight to go with it! Packed with Celestion Neodymium drivers you still get an amazing performance with plenty of low end "oomph" but without the traditional mass of the magnet! The perfect candidate for taking on the road, use its impressive 800 watts to create a huge sound from clubs to festivals around the world!

Nexus cabinets are loaded with cutting edge Celestion Neodymium drivers, which use ultra powerful magnet material in order to allow the mass of the magnet to be reduced without compromising the performance of the driver. Result: same great performance but with a greatly reduced cabinet weight which makes life on the road with a Nexus stack much more manageable.

The NX410 is fitted with the exceptionally impressive 10” Celestion Neodymium which gives amazing performance which reducing the weight of the cabinet dramatically. A mighty 800 -watts power handling can be accessed via Neutrik combination sockets that accept Speakon or ¼-inch jack cables mounted on the rear panel.

The LX range takes its design cues from the more aggressive side of life – dark & brooding. More than just practice amps, fitted with rugged metal grilles and tattoo graphics giving them looks and strength to be taken to the extreme. The LX65R packs a mean punch when it comes to gig worthy combos. It’s twin channel pre-amp covers all the bases from a tone point of view and it 1 x 12” Custom HH driver handles everything the 65 watts RMS output section throws at it whilst still remaining portable and easy to lug round in the boot of your car or back of the van. Featuring true twin channels - Clean and Distortion both switched by an optional FS2– each with its own independent 3 band EQ. The Distortion channel also feature switchable XTS tone shaping for even more extreme tonal options. Another cool feature is the on-board CD/MP3 input for playing along with your favourite band. This LXR model comes with on-board reverb as well as an FX loop, a headphone socket and finally a line out socket. Finished in a tough black Rolex and kick proof metal grille the LX generation will survive endless gigs onstage as well as the rigours of the road.

The Laney R500-115 is a solid-state combo packing an impressive 500W RMS into a sealed cabinet providing versatility, portability and reliability to all levels of bass player from rehearsal room to a large stage. The front panel houses Normal or High jack inputs a balanced XLR D.I. provides direct, mic-free mixer connection when recording or performing live. An Aux input allows play-along to a backing track and a headphone socket allows for late night playing. The R500-115 lets any bass player own their tone. Compressor Tuner out Speakon Connectors Single Channel 1 x 15” custom driver + HF Horn 10 band Graphic EQ Item dimensions: 563mm x 523mm x 365mm (HWD) Carton dimensions: 650mm x 585mm x 430mm (HWD) Item weight: 23.30kg.

The Laney R500H is a solid-state head packing an impressive 500W RMS into a very lightweight chassis providing versatility, portability and reliability to all levels of bass player from rehearsal room to a large stage. The front panel houses Normal or High jack inputs a balanced XLR D.I. provides direct, mic-free mixer connection when recording or performing live. An Aux input allows play-along to a backing track and a headphone socket allows for late night playing.

If you are looking for deep bass frequencies with loads of tonal depth and richness, then look no further than the Laney RB410 Richter Bass Enclosure 4x10 250W. Designed to compliment the output of the Richter R500H Bass Head, combined they make a potent force!

This compact, high efficiency bass enclosure is designed to be the ideal extension cabinet for the Laney R500H. Designed for the bass player who wants more mid range punch on stage the R410's compact design makes it ideal for small stages and easy transport. Whatever your gig the R410 will deliver the performance you are looking for.

The RB9 is the top of the range Laney bass head which can deliver a massive 300 watts into a 4 ohm load. We would recommend hooking this up with the Laney RB410 and RB115. The RB9 also features the same award winning preamp section as the RB8, so you can expect more of the great Laney tone in a very portable package. Laney - Power To The Music.

The TI100 was born out of an exhaustive period of product development, hand in hand with Iommi at every stage, assessing and refining his sonic needs. The TI100 amp represents a significant advance in Ionni's sonic identity whilst still retaining the aggressive tone that he is renowned for.The TI100 delivers 100 Watts RMS of full on metal guitar tone in a twin channel format. Each of the TI100s channels features a footswitchable Pre Boost which sits right at the front of the pre amp and functions in the same way as your favorite boost pedal on your pedal board works it does not increase the gain but boosts the signal hitting the first pre amp tube.The two channels on the TI100 are basically the same channels with no sonic difference between them. They have been labelled up as Rhythm and Lead purely for convenience. You can decide on the configuration of each channel.Each channel has independent Pre -Boost and Drive controls along with dedicated 3 band EQ a channel volume, an Enhance co.