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The RME 12Mic is a 12-channel digitally controlled microphone preamplifier offering exceptional audio quality with integrated AVB and MADI connectivity. Designed for professional recording environments, it features transparent mic preamps with a 75 dB gain range, high-quality A/D conversion, and remote control capabilities via AVB networking. The unit includes multiple digital I/O options, ensuring seamless integration into modern audio networks.
RME 12Mic 12-channel digitally controlled microphone preamplifier with AVB & MADI
AED 14,454.29 Exc VATAED 14,454.29 Exc VAT Add to cartThe RME 12Mic-D is a high-end 12-channel digitally controlled microphone preamplifier featuring transparent audio quality and advanced network connectivity via Dante, MADI, and ADAT. Designed for professional studios, live sound, and broadcast applications, it offers remote control, high headroom mic inputs, and seamless integration into modern digital audio networks.
RME 12Mic-D Network-Ready Microphone Preamp with Dante, ADAT, and MADI
The RME ADI-6432 is a professional 64-channel bidirectional format converter that seamlessly bridges MADI and AES/EBU audio formats. Designed for high-end studio, broadcast, and live sound environments, it offers optical and coaxial MADI I/O, 32 AES I/Os via D-sub connectors, and advanced clocking and sync options, ensuring reliable, high-quality digital audio conversion.
RME ADI-6432 MADI/AES Format Converter
The RME ADI-6432R is a professional-grade bidirectional MADI/AES-3id format converter designed for demanding broadcast and live sound applications. It facilitates seamless conversion between MADI and AES-3id (coaxial AES/EBU) formats, supporting up to 64 channels at 24-bit/192 kHz. Equipped with dual redundant power supplies and BNC connectors, the ADI-6432R ensures reliable operation in critical environments. Its comprehensive connectivity includes optical and coaxial MADI I/O, 64 AES-3id channels via BNC, MIDI and RS-232 data transfer over MADI, and word clock synchronization. The unit features RME's SteadyClock™ technology for superior jitter reduction and clock regeneration, along with intuitive front panel status displays for real-time monitoring. Ideal for use as a digital multicore solution or as an AES-3id frontend for MADI interfaces, the ADI-6432R offers robust performance and flexibility for professional audio setups.
RME ADI-6432R – Bidirectional MADI/AES Format Converter
The RME Digiface AES 14x16 Audio Interface is a compact, bus-powered USB 2.0 interface offering 14 inputs and 16 outputs with support for 24-bit/192 kHz digital audio. It features a comprehensive set of I/O options, including AES/EBU, S/PDIF, ADAT, and analog connections, making it versatile for various professional audio applications. The device also includes RME's TotalMix FX software for flexible routing and monitoring, and SteadyClock FS technology for high-quality clocking. Its standalone operation capability and built-in parametric EQ add to its flexibility in different setups.
RME Digiface AES 14×16 Audio Interface
The RME Digiface AVB is a high-performance 256-channel mobile audio interface that connects AVB networks to computers via USB 3.0. Compact and bus-powered, it supports up to 192 kHz sample rates and features TotalMix FX for flexible routing and monitoring—making it ideal for professional studio, broadcast, and live sound environments.
RME Digiface AVB 256-Channel Mobile AVB/USB Audio Interface
The RME Digiface Dante is a versatile 256-channel audio interface that facilitates seamless integration between Dante and MADI networks. It offers up to 24-bit/192 kHz digital audio resolution and features four Gigabit Ethernet ports for Dante connectivity, along with MADI I/O via BNC connectors. The device supports both USB 3.0 and USB 2.0 connections, providing flexible options for various setups. In standalone mode, it functions as a 64-channel Dante-to-MADI converter, making it ideal for complex audio routing and mixing applications.
RME Digiface Dante 256-Channel Dante to MADI Audio Interface with USB
The RME Digiface Ravenna is a versatile 256-channel USB audio interface designed for professional audio applications. It supports up to 24-bit/192 kHz audio resolution and features four Gigabit Ethernet ports for Ravenna/AES67 connectivity, along with two BNC connectors that can function as MADI I/O or word clock sync. The device offers both USB 3.0 and standalone operation, making it suitable for complex audio routing setups. It also includes RME's TotalMix FX software for advanced mixing and routing capabilities.
RME Digiface Ravenna 256-Channel USB Audio Interface
The RME DMC-842 is an advanced 8-channel AES42 interface and control device designed for professional digital microphones. It supports both Mode 1 and Mode 2 operation, allowing for flexible integration and control of digital microphones in various audio environments. The DMC-842 is housed in a 2U rackmount chassis and is ideal for applications requiring high-quality digital microphone integration and control. Its robust feature set ensures reliable performance in demanding audio environments.
RME DMC-842 – AES42 Interface and Control Device for Digital Microphones
AED 13,419.05 Exc VATAED 13,419.05 Exc VAT Add to cartThe RME DMC-842-M is a high-end 8-channel AES42 interface and control device for digital microphones, featuring full support for both Mode 1 and Mode 2 operation. Equipped with analog outputs, digital I/O, and the optional I64 MADI card, it offers seamless integration into complex studio or broadcast systems. With digital phantom power, per-channel sample rate conversion, and comprehensive remote control capabilities via MIDI and MADI, it ensures professional-grade audio quality and control in demanding production environments.
RME DMC-842-M – AES42 Interface and Control Device for Digital Microphones with MADI
AED 16,313.33 Exc VATAED 16,313.33 Exc VAT Add to cartThe RME HDSPe AES is a high-performance 32-channel AES/EBU PCI Express audio interface, offering 24-bit/192 kHz audio resolution. Designed for professional studios, it provides eight AES/EBU I/O channels via D-sub connectors, advanced clocking with SteadyClock™ technology, and ultra-low latency monitoring. Ideal for high-channel-count applications like broadcast and recording, it ensures reliable digital audio conversion and seamless integration into complex setups.
RME HDSPe AES 32-Channel AES/EBU PCI Express Card with 24 Bit/192 kHz
The RME HDSPe MADI is a high-performance PCI Express audio interface card designed for professional audio applications requiring extensive I/O capabilities. It offers up to 128 channels of 24-bit audio at sample rates up to 192 kHz, utilizing both optical and coaxial MADI connections. The card features real-time TotalMix FX software for flexible routing and monitoring, supports dual MIDI I/O, and includes a stereo analog output for monitoring. With its low-latency performance and robust clock synchronization, the HDSPe MADI is ideal for large-scale recording, broadcast, and live sound environments.
RME HDSPe MADI 128-Channel, 192 kHz, MADI PCI Express Card
- The RME HDSPe MADI FX is a high-performance PCI Express audio interface card designed for professional audio applications requiring extensive I/O capabilities. It offers up to 390 channels of 24-bit audio at sample rates up to 192 kHz, utilizing three MADI connections—two optical and one coaxial. The card features a modular Hammerfall Pro Audio Core, enabling ultra-low latency and efficient processing. It also includes TotalMix FX software for flexible routing and monitoring, supports Seamless Redundancy Operation for fail-safe performance, and provides comprehensive connectivity options, including AES/EBU I/O, MIDI I/O, and word clock synchronization.
RME HDSPe MADI FX 390-Channel, 192 kHz, Triple MADI PCI Express Card
- The RME HDSPe Opto-X is an optional expansion board for the HDSPe MADI FX Triple MADI Card, replacing the standard coaxial MADI I/O with an additional optical MADI I/O. It adds a third optical MADI port, along with Word Clock I/O and a D-sub connector for MIDI and AES I/O, offering expanded connectivity and seamless integration for high-end professional audio systems.
RME HDSPe Opto-X Extension Board for HDSPe MADI FX Triple MADI Card
The RME M-16 AD is a high-performance 16-channel analog-to-digital converter designed for professional audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio quality with a dynamic range of 116 dBA and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features multiple digital output options, including one MADI I/O (optical and coaxial) and four ADAT outputs. Additionally, it includes an analog limiter, 16 LED level meters, and SteadyClock™ technology for precise clock synchronization. The M-16 AD is fully remote-controllable via MIDI and MIDI over MADI, making it ideal for studio, live sound, and broadcast environments.
RME M-16 AD – 16-Channel High-End Analog to MADI/ADAT Converter
The RME M-16 DA is a professional-grade 16-channel digital-to-analog converter designed for high-quality audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio performance with a dynamic range of 118 dBA and ultra-low total harmonic distortion (THD) of less than 0.00063%. The converter supports sample rates up to 192 kHz and features multiple digital input options, including one MADI I/O (optical and coaxial) and four ADAT inputs. Analog outputs are provided via 25-pin D-sub connectors, supporting line levels up to +24 dBu. The unit also includes 16 LED level meters, SteadyClock™ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. Its compact design and robust feature set make it ideal for studio, live sound, and broadcast environments requiring high-channel-count analog conversion.
RME M-16 DA – 16-Channel High-End MADI/ADAT to Analog Converter
The RME M-32 AD is a high-end 32-channel analog-to-digital converter designed for professional audio applications. Housed in a 2U, 19" rackmount enclosure, it offers exceptional audio performance with a dynamic range of 116 dBA and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features multiple digital output options, including one MADI I/O (optical and coaxial) and four ADAT outputs. Additionally, it includes an analog limiter, 32 LED level meters, SteadyClock™ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. The M-32 AD is ideal for studio, live sound, and broadcast environments requiring high-channel-count analog-to-digital conversion.
RME M-32 AD – 32-Channel High-End Analog to MADI/ADAT Converter
The RME M-32 AD Pro II AVB + MADI 32-Channel A/D Converter is a high-performance audio interface designed for professional studios, immersive audio installations, live sound systems, and industrial applications. It offers 32 channels of fully balanced analog-to-digital conversion with a dynamic range of 120 dB(A) and ultra-low total harmonic distortion (THD) of less than 0.00032%. The converter supports sample rates up to 192 kHz and features dual redundant AVB network ports, enabling up to 128 channels of audio over IP. Additionally, it includes coaxial and optical MADI I/O, MIDI I/O, word clock I/O, and USB 2.0 for remote control. The unit also boasts a 2" display with a rotary encoder for easy control, tricolor backlit channel indicators, and customizable magnetic channel labels. Housed in a 1U rackmount chassis with redundant power supplies, the M-32 AD Pro II AVB is ideal for applications requiring high-channel-count analog-to-digital conversion with advanced network audio processing capabilities.
RME M-32 AD Pro II AVB + MADI 32-Channel A/D Converter
The RME M-32 AD Pro II-D is a high-performance 32-channel analog-to-digital converter designed for professional audio applications. Housed in a 1U rackmount chassis, the M-32 AD Pro II-D is ideal for studios, immersive audio installations, live sound systems, and industrial applications requiring high-quality analog-to-digital conversion with advanced network audio processing capabilities.
RME M-32 AD Pro II-D Dante + MADI 32-Channel A/D Converter
The RME M-32 DA is a high-performance 32-channel digital-to-analog converter designed for professional audio applications. It features exceptional audio performance with a dynamic range of 118 dBA and ultra-low total harmonic distortion (THD) of less than 0.00063%. The converter supports sample rates up to 192 kHz and offers multiple digital input options, including one MADI I/O (optical and coaxial) and four ADAT inputs. Analog outputs are provided via 25-pin D-sub connectors and 1/4" TRS jacks, supporting line levels up to +24 dBu. The unit also includes 32 LED level meters, SteadyClock™ technology for precise clock synchronization, and remote control capabilities via MIDI or MIDI over MADI. Its compact 2U rackmount design makes it ideal for studio, live sound, and broadcast environments requiring high-channel-count analog conversion.
RME M-32 DA – 32-Channel High-End MADI/ADAT to Analog Converter
- The RME M-32 DA Pro II AVB + MADI 32-Channel D/A Converter is a high-performance audio interface designed for professional studios, immersive sound installations, and live sound systems. It offers 32 channels of fully balanced analog output with a dynamic range of 120 dB(A) and a total harmonic distortion plus noise (THD+N) of -111 dB. The converter supports multiple digital input formats, including MADI (coaxial and optical via optional SFP module) and AVB, allowing for flexible integration into various audio networks. Additionally, it features a 2-inch display with a rotary encoder for easy control, redundant power supplies for reliability, and remote control capabilities via USB, MIDI over MADI, and network protocols.
RME M-32 DA Pro II AVB + MADI 32-Channel D/A Converter
The RME M-32 DA Pro II-D is a high-performance 32-channel digital-to-analog converter designed for professional audio applications. It features fully balanced analog outputs via 25-pin D-sub connectors, supporting line levels up to +24 dBu. The device offers dual redundant Dante network ports, enabling up to 64 channels of audio over IP, and includes coaxial and optical MADI I/O for flexible connectivity. Additional features include a 2" display with rotary encoder for device control, tricolor backlit channel indicators, and comprehensive remote control options via USB, MIDI over MADI, and network protocols. Housed in a 1U rackmount chassis with redundant power supplies, the M-32 DA Pro II-D is ideal for studios, immersive audio installations, and live sound systems requiring reliable and high-quality D/A conversion.
RME M-32 DA Pro II-D Dante + MADI 32-Channel D/A Converter
The RME MADIface USB is a compact and versatile 128-channel USB 2.0 audio interface designed for mobile and desktop MADI applications. It offers two MADI I/O ports (optical and coaxial), supporting up to 64 channels of recording and playback. When both MADI I/Os are used simultaneously, it provides full 128-channel input and output access, all mixed and routed via RME's TotalMix software. The device is bus-powered, eliminating the need for an external power supply, and can operate in stand-alone mode as a bi-directional format converter and active repeater. Its robust design ensures reliable performance in various professional audio environments.
RME MADIface USB 128-Channel USB Interface for Mobile Computers
The RME Micstasy is a high-end 8-channel microphone and line preamplifier combined with an analog-to-digital converter, designed for professional audio applications. It offers a wide 85 dB gain range and supports both analog and digital signal paths simultaneously. The device features balanced XLR mic/line inputs, balanced TRS line/instrument inputs with Hi-Z option, and balanced XLR line outputs. Digital outputs include AES/EBU, ADAT, and optional MADI I/O, supporting high sample rates up to 192 kHz. Additional features include symmetrical hi-pass filtering, LED level meters, M/S encoding, AutoSet automatic gain reduction, and full remote control via MIDI or MIDI over MADI. The Micstasy is ideal for studio, live sound, and broadcast environments, offering exceptional audio quality and versatile connectivity.
RME Micstasy Microphone Preamp